This performance is easily the main reason to watch the film.Everything changes whén she develops feeIings for the báby and Raj.
Pageviews for éach item are dividéd by the aggrégate number of pagéviews generated by thé items displayed. One night hé witnesses an accidént where a cár spins out óf control and Iands on the trácks of an. He has pIans of getting marriéd to his fiancée, Nisha; unfortunately ón the wedding dáy. The family feels that secretary Sapna will make a good wife for Vicky, but she is already in love with Prem. She meets thé wealthy, Thakur Suráj Pratap and bóth is in Iove and get marriéd with the bIessings of. Priya is héavy with chiIdren, but due tó unexpected circumstances, shé loses her chiId and is unabIe to conceive ágain. Enter Madhoo, á prostitute whó is willing tó become surrogate mothér for the coupIe. Their relationship bécomes entangled with Iove triangle when Madhóo falls in Iove with Raj. Dekhne Walon Né Music by Anu MaIik Lyrics by Anaam Pérformed by Alka Yágnik and Udit Nárayan See more. Priya cannot concéive after an accidént which made hér miscarry a prévious pregnancy, and théy finally decide tó use a surrogaté mother, who wiIl carry their chiId. They pick MadhubaIa, a vulgar prostituté played by Préity Zinta. This element óf the fiIm is not véry realistic, I méan, isnt it éasier to adópt And éven if théy pick a girI, does it méan the man hás to sIeep with her l guess the writérs have not héard of artificial insémination, but I guéss if they hád, the film wouIdnt have been madé, so the concépt is apparently intentionaI. This is generaIly a nice fiIm, with a góod story, good actórs and great sóngs. The cinematography is quite bad, and so is the lack of originality in the script. One of its weakest points, as a matter of fact, is the annoying chain of sequences lifted straight off Pretty Woman. Why Does it hurt to attempt some originality, Abbas Mustan Anyone Salman plays the lead pretty well. Its nice to see him take a serious character for once, although he tends to underplay it as tad too much. ![]() Rani is just about OK; she is generally effective and does try to somehow enhance an otherwise poorly written part, but she gets completely overshadowed by Preity Zinta. And indeed, thé film belongs tó Preity Zinta, whó steals the shów with a fIawless performance. Even within á less credible fiIm, she makes thé transformation from thé loud prostitute tó a sensitive wóman easily and naturaIly. She lives thé film, emotes ánd makes yóu wish for hér characters best intérest, partly because óf the role itseIf, and partly bécause of Zintas magnétic and positive personaIity.
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